(oil on gessoboard; 6"x 6")
This is another painting in which I am trying hard to use fewer brushstrokes. I was looking at one of Carol Marine's books and I thought I would try apples. She is the master and makes it look so easy! I lost focus after a while and started to overwork it. Note to self: take a break when 80% done. Most of the time I will realize I can stop there.
November 27, 2014
November 25, 2014
Pepper Go-Round
(oil on gessoboard; 6"x 6")
I like the sense of movement in this composition - it adds some fun to an otherwise "still" life. I did this one in painting class. Someone brought a big bag of red peppers and they looked so juicy and delicious that I had to try and paint them. I was consciously working on putting in the object highlights without resorting to using pure white paint, and I think it worked well here to use yellow - I think the value is true to life.
I like the sense of movement in this composition - it adds some fun to an otherwise "still" life. I did this one in painting class. Someone brought a big bag of red peppers and they looked so juicy and delicious that I had to try and paint them. I was consciously working on putting in the object highlights without resorting to using pure white paint, and I think it worked well here to use yellow - I think the value is true to life.
November 22, 2014
Lemon Light
(oil on gessoboard; 6"x 6")
This is a painting exercise I did in Carol Marine's wonderful painting class. It has sentimental value because it was the first time I tried oil paint, and I got hooked. The assignment was to paint the fruit using the fewest brushstrokes possible. It's a great way to force yourself to be intentional about each brushstroke.
This is a painting exercise I did in Carol Marine's wonderful painting class. It has sentimental value because it was the first time I tried oil paint, and I got hooked. The assignment was to paint the fruit using the fewest brushstrokes possible. It's a great way to force yourself to be intentional about each brushstroke.
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